Often called the Holy Grail of the Pink Floyd Universe, this early Japanese pressing does sound simply fantastic. I compared it in a side-by-side, track-for-track way using foobar2000 without enhancements such as equalizers, and this version sounded at least twice as good as the most recent Japanese SACD hybrid--and I did the comparison using the SACD version at 24-bit - 96kHz.
This one isn't one of my rips, so I really can't answer any more questions than those in the file. I will tell you this--no matter how many copies of DSotM you have, you will want this one.
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